Announcing our new Scalar Trailer
Our new Scalar trailer is finished and up at its permanent home over on our Features page. This video highlights the updated features and functionality of our latest interface, Scalar 2.
We’d like to thank the following users who allowed us to showcase their exceptional projects, and more specifically, their compelling uses of Scalar, as part of this video.
- Keenan Ward, Korey Jackson, Jane Nichols, and Larry Landis for A Photographic History of Oregon State University
- Steve Anderson for Bad Object 2.0: Games and Gamers
- Matt Delmont for Black Quotidian: Everyday History in African-American Newspapers
- Dene Grigar and Stuart Moulthrop for Pathfinders
- Jason Mittell for Complex TV
- Cecilia Wichmann for Sound and Documentary in Cardiff and Miller’s Pandemonium
- Jacqueline Wernimont, David J. Kim, Amy Borsuk, Beatrice Schuster, Heather Blackmore, and Ulia Gosart (Popova) for Performing Archive: Curtis + “the vanishing race”
- Noah Heringman, Kristen Schuster, Ruth Knezevich, and Juliette Paul for Vetusta Monumenta: Ancient Monuments
Jeremy Kagan’s E-Textbook, Keys to Directing, published in Scalar
Keys to Directing is rich and informative… Acquired over decades of directing, teaching and in-depth conversations with fellow filmmakers, Kagan’s depth of knowledge is evident in every word, his wisdom matched by the palpable affection and respect he clearly has for the mysterious, difficult, joyous craft of directing. A uniquely valuable read for the filmmaking novice and experienced director alike.
‐SHAWN LEVY, film director of Night at the Museum
Keys to Directing, according to its author, Jeremy Kagan, is a “living” eTextbook that offers an in-depth examination of a director’s essential responsibilities. In addition to being a Professor at the University of Southern California’s School of Cinematic Arts, Kagan is also an Emmy Award winning director, writer, and producer of television and feature films. While his film credits include Heroes (1977), The Big Fix (1978), The Chosen (1981), and The Journey of Natty Gann (1985), Kagan has also directed episodes of many celebrated television shows, counting among them, Picket Fences, Chicago Hope, The West Wing, and The Guardian.
Kagan’s Keys to Directing presents a comprehensive study of its subject moving from chapters on casting and rehearsals through to directing and camera movement. Many sections offer ample real-world footage, sometimes in the form of classic scenes that invoke particular techniques under discussion and at other times, with Kagan himself in revealing behind-the-scenes rehearsals and experimental actor run-throughs. The section on camera movement, for example, covers a myriad of topics –nineteen in all- from camera lenses to green screens. Here, Kagan shows his readers “how to tell [their] story with the camera” by offering detailed analysis of techniques used in classic film and television scenes as well as diagramic breakdowns of camera and actor positioning within those scenes (see Figure 1).
The Introduction to Keys to Directing is free, but the full e-textbook is $20.
Scalar Workshop + Polymathic Making at USC’s Harman Academy
Wednesday, September 21st
Doheny Memorial Library, Room 241
5 to 6:30 pm
to RSVP email Curtis Fletcher at firstname.lastname@example.org
If you happen to be around USC this Wednesday, join us for a special Scalar workshop at the new Polymathic Labs.
A new initiative of the Academy, the Polymathic Labs will extend our integrative learning to the tactile and the sensory, offering a space for experimentation, play, and creative expression. To kick us off, Academy Director Tara McPherson and Associate Director Curtis Fletcher will lead a workshop on Scalar. The session will introduce the platform, showcase the various ways it has been used to create online publications, exhibits, and games, and lead students through a hands-on workshop on using Scalar for making various types of projects.
Please bring an internet-ready laptop to the workshop. (An iPad will also work, but laptops are often easier to work with.)
And, yes, there will be pizza!